Дизайн за добро – сила за феминизма
Феминизмът е сила, с която не можем да пренебрегнем. През последните години, на фона на Женския марш и движението Me Too, отново си припомнихме, че жените карат света да се върти. Въпреки че феминизмът е изминал дълъг път от дните на суфражетните плакати и "Ние можем да го направим!" flex, графичният дизайн продължава да играе трогателна роля в подкрепата на проблемите на жените чрез смели и убедителни изображения.
Феминизмът е сила, с която не можем да пренебрегнем. През последните години, на фона на Женския марш и движението Me Too, отново си припомнихме, че жените карат света да се върти. Въпреки че феминизмът е изминал дълъг път от дните на суфражетните плакати и "Ние можем да го направим!" flex, графичният дизайн продължава да играе трогателна роля в подкрепата на проблемите на жените чрез смели и убедителни изображения.
And with good reason, because headlines across the world remind us that there is still work to be done to achieve equality for women. Everyday activists continue to carve out a place in history for women to forge their future, and as with all societal movements communication is key. Women and men alike continue to lend their creativity to the female cause with eye catching designs making waves in media and minds across the world, and swaying public opinion through visuals with mass appeal. In its current wave, with a focus on intersectionality, queer, non-binary, and non-white experiences, new designs have emerged to speak up for new voices alongside all women. For the occasion of International Women’s Day, let us shine a spotlight on poignant graphic design addressing equality for women around the world. From surprising to approachable, and from bold to beautiful, one thing is for sure: these designs make a difference, with a goal for good and a force for feminism.
"Woman Interrupted: Portrait of Silence" by BETC
"Woman Interrupted: Portrait of Silence" by BETC
As you might recall, during the first U.S. presidential debate between the two, Donald J. Trump interrupted Hillary Clinton 51 times. Clinton interrupted him only nine times. This behaviour has since been coined as manterruption, falling somewhere on the spectrum of sexist behaviour right next to mansplaining. It’s widespread in boardroom meetings, but is all too common outside of the professional world as well. Women want to be heard and it’s time we start listening to them, fully. So for International Women’s Day, the Brazilian ad agency BETC asked female artists from around the world to rally around the issue and design posters about manterruption. Contributors from every continent created the series titled “Women Interrupted: A Portrait of Silence.”
67 artists from more than 20 countries under the art direction of José Pedro Bortolini, donated illustrations, amounting to 87 unique posters. The poster series used the same colour codes to unify the unique images across the campaign. Each poster featured an original portrait or self portrait of a woman being silenced with a man’s finger in front of her mouth, to show that a woman interrupted is a woman silenced. The portraits are as diverse as the artists themselves. Beside each, various captions by copywriter Nathalie Lourenço like “Women being heard. That sounds pretty good.” and “After the right of free speech, we want the right of full speech.” can be read, sending an impactful message that women are fed up with having to fight for airwaves. Other captions read “Stop talking and start listening.” and “Equal rights means equal voices.”, driving home the issue that all voices are born equal and should be treated so. The series was so well received that BETC decided to open submissions for Portraits of Silence Series 2.
HeForShe by DIA for the United Nations
In the age of inter-sectionalism and identity, we hear a lot about allies. The patriarchy is most often to blame for inequality between the sexes, but men can also be a force forIn the age of inter-sectionalism and identity, we hear a lot about allies. The patriarchy is most often to blame for inequality between the sexes, but men can also be a force for positive change for women. The United Nations HeForShe campaign is about just that, how men can be allies for women. The solidarity movement on gender equality brings together one half of humanity in support of the other half, for the benefit of all. HeForShe seeks to involve men and boys across the globe in achieving equality by taking action against negative gender stereotypes and behaviours. Since its launch in 2013, men from around the world including Heads of State, CEOs, and global luminaries have joined millions of others in signing the #IDo #HeForSHe pledge to fight for gender equality.
“For All Womankind” by Deva Pardue
“For All Womankind” by Deva Pardue
For most of us, it would be almost impossible to not have come across Deva Pardue’s femme fist, officially titled For All Womankind, the same name as the designer’s feminist forward organisation. What began as a free download for the Women’s March, would soon become one the most recognisable designs of the last decade, symbolising much more than the sum of its parts. After the election of Donald J Trump, many women felt let down by politics and the promise of women’s rights, subsequently inspiring them to march and stand up for their rights. New York based and Irish born designer, Deva Pardue, created the femme fist as a free downloadable poster for the march. It went viral during the lead-up to the protest being shared by celebrities, and 4,000 people in the U.S. alone downloaded free PDFs of the design to print for the march. The online sale of prints has since raised over 25,000 dollars to benefit two non-profits advancing reproductive freedoms in the States.
Pardue’s design resonated with women of all kinds. The poster design encapsulates the intersectionality of modern-day feminism. The name "For All Womenkind" refers, according to Pardue, to the need for intersectionality in organising—across issues of gender and race, and beyond the level of campaigning for individual rights. Faced by a lack of feminist design representing the diversity of women, Pardue decided to create one herself. “When it comes to protest art, the importance of im- mediacy can’t be underestimated. Saying something with as little clutter as possible resonates the most,” said Pardue. With this in mind she created a design that was as soft and feminine as it is strong and diverse. Her motif of three raised fists, each with a different skin tone but the same painted red fingernails, is posed on a powder pink background, making it as unapologetically feminine as it is assertive. Perdue’s femme fist continues to grow in popularity, having been seen in Women’s movements across the globe and reinterpreted by dozens of other artists. It continues spreading the message of an inclusive feminism and inspiring women to continue the fight for their rights.
The Feminist Library’s Fund-Raising Campaign
Can a type-face help save feminism? Well, a team of designers thought it could help. The Feminist Library in south-east London boasts an incomparable collection of over 7,000 books, 1,500 periodical titles from around the world, several archives of feminist individuals and organisations, pam- phlets, papers, posters, and ephemera. For nearly 40 years the library operated without interruption as an archive and cultural centre for women. Suddenly in 2018, news broke that the local council had decided to develop the library’s building. Despite being offered another space in another neigh- bourhood, the library needed to raise the sum of £48,000 in order to not only move all of its books, but turn its new home into a functioning library and community space. As a result, a team of designers were brought together to develop an identity that would support the crowdfunding campaign to save the feminist archive and community space.
Fundraising posters featuring Sanderson and Lincoln’s original type-face
Together designers Lucy Sanderson and Anna Lincoln started by developing a unique and eye-catching typeface inspired by the library’s own archive of feminist protest banners. In order to cre- ate it, they produced large-scale letterforms with tape across tables at a local pub, and then scanned them to create a digital version to be implemented into the fundraising posters and flyers. The low cost method was paramount for the designers, insisting that they wanted it to have a certain accessibility in line with the values of the library itself. Paired with bright coloured geometric backgrounds and sometimes layers over abstracted version of the scanned tape designs themselves, the type-face stands out to be read loud and clear. The eye catching designs were a success, garnering enough attention to raise the necessary funds and then some to save The Feminist Library so it can continue to make women’s stories accessible and cultivate a community where feminism can thrive. More so, the new type-face was such a success they decided to keep it on in the new logo for The Feminist Library.
The Future is Feminist
While graphic design may not be the first thing that comes to mind when we think about fighting for feminist causes, history has proven that thoughtful design can lead to a powerful impact. These poignant campaigns show the difference that design for a cause is capable of making. As long as there is progress to be made for women, designers can continue to use their creativity for good.
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To learn more:
HeForShe: https://www.heforshe.org/en
For all Womankind: https://forallwomankind.com/
The Feminist Library: https://feministlibrary.co.uk/
